Introduction to 'The Sentinel 1977'

What is your review of The Sentinel 1977? Here’s an in-depth look at this 1977 horror film and its unique charm compared to its 1974 counterpart, Black Christmas, and other cult classics such as Alice Sweet Alice. This article delves into the movie's strengths and limitations, particularly when compared to its source novel.

Reviewing 'The Sentinel 1977'

The Sentinel 1977 stands out as a film that resonates differently from its more spine-chilling counterparts. For many, it is not as frightening as Black Christmas, which has a lingering, detailed creepiness that continues to captivate over five decades since its release. However, it offers a unique atmospheric experience that focuses on the beauty and age of its setting.

Production and Atmosphere

The director's choice of antiques and historical buildings, combined with eccentric characters, creates an atmosphere that feels comforting and delightful. If I could live in a horror movie, it would be in 'The Sentinel', where the dedication to historical architecture is unmatched. Modern films often spend more money on less impressive results. Every time I think of The Sentinel, I am reminded of the character of the buildings used in the film, which add to its charm.

Beyond the Screen: The Source Novel

Despite the charm of the movie, it's worth exploring the novel from which The Sentinel is derived. Written in 1974 by Jeffrey Konvitz, the book presents a different perspective on the story and characters.

Author's Perspective and Writing Style

The novel is quite different from the movie. Jeffrey Konvitz's writing style is described as rather dull and a reflection of a middle-aged man with limited knowledge of women. The book features bizarre, sexist descriptions, particularly of the main character, Allison. This sharp contrast between the film and the author's style makes for a compelling discussion on the differences between visual storytelling and the written word.

Lady Characters and Emotional Depth

The descriptions of Allison and the lesbian ballerinas in the novel are particularly unflattering and hard to stomach. In comparison, the film's portrayal of these characters is far more nuanced and complex. The movie manages to convey a sense of distance and awkwardness in the relationship between Allison and Michael that is not as fully developed in the novel.

Conclusion: Film vs. Book

In sum, The Sentinel 1977 is undoubtedly superior to its source novel. The novel, while not without its merits, presents a story that is at times nightmarish and inaccurate due to the limited perspective of the author. On the other hand, the movie aims to capture a more complex and intriguing experience, making it a more engaging piece of work.

While The Sentinel might not be as frightening as some of its contemporaries, it is a work of high art that brings to life a unique and inviting universe. This comparison offers a deeper insight into the power of both the novel and the film, showcasing the differences and strengths of each medium.